Editorials
‘Jack & Diane’ and the Hunger of First Love
Film critic Molly Henery explores the lycanthropic first love of Bradley Rust Gray's 'Jack & Diane' for her Uterus Horror column.
Short Cuts: ‘Room Service’ Brings Horror Comics to Life
James Tynion IV and PK Colinet join forces to write and direct 'Room Service,' a short film with a comic prequel.
‘Triangle’ Is a Modern Greek Tragedy With a Time-Bending Twist
Andrew Cothern explains how Christopher Smith's 'Triangle' uses time travel to create the Greek tragedy of slashers.
‘Infection’ Blurs the Line Between Body and Psychological Horror
Ciara Moloney digs deep into the goopy chills of 'Infection,' Masayuki Ochiai's zombie-theme hospital horror film.
Hope in ‘Humanist Vampire Seeking Consenting Suicidal Person’
Molly Henery explores the adolescent empathy of Ariane Louis-Seize's 'Humanist Vampire Seeking Consenting Suicidal Person.'
How ‘Project Silence’ Blends Disaster and Horror
Kim Tae-gon's 'Project Silence' blends the disaster movie with horror to create an issue-driven blockbuster for the masses.
‘Infection’ Is a History Lesson In Authoritarianism
Ursula Muñoz S. examines the violent history of Venezuelan authoritarianism that drives Flavio Pedota's 'Infection.'
In ‘Blood Curse,’ Evil Is an Act of Faith
Often marketed as the first Portuguese horror film, Tiago Guedes's 'Blood Curse' is an ambiguous exploration of generational sins.
The Absent Adults of ‘The Blackcoat’s Daughter’
In her latest Uterus Horror column, Molly Henery digs into the absent parents of Osgood Perkins's 'The Blackcoat's Daughter.'
