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Certified Forgotten Bluesky
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Editorials
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Podcasts
Pitch Us
Newsletter
Editorials
Editorials
The Screenlife Futurism of ‘Unfriended: Dark Web’
Hamish Calvert
April 18, 2022
Editorials
Big Problems, Small Joys: The Music of ‘Jaws: The Revenge’
Charlie Brigden
April 11, 2022
Editorials
‘Exhibit A’: Found Footage’s Opening Statement on Male Fragility
David Churack
April 5, 2022
Editorials
‘American Psycho,’ ‘Man Bites Dog,’ and Masculine Overconfidence
Veronica Phillips
March 30, 2022
Editorials
‘Love Bites’ and the 90s’ Attempts at Reimagining the Vampire Mythos
Maggie Boccella
March 29, 2022
Editorials
Pick Up the Phone, ‘Cell’ Is Calling
Christine Makepeace
March 25, 2022
Editorials
Blood is the Drug: Addiction and Vampirism in the Spanish Cult Horror ‘Arrebato’
Kayleigh Donaldson
March 11, 2022
Editorials
Vampires, Horror, and the Cinema of Caregivers
Jamie Alvey
March 7, 2022
Editorials
‘Hatchet for the Honeymoon’ Is Mario Bava’s Most Self-Conscious Horror
Wally Adams
February 24, 2022
Editorials
‘The Plumber’ Is a Sour Clash of Class and Gender
Ciara Moloney
February 22, 2022
Editorials
‘Begotten’ Is a Ritual Captured on Film
Marc Paterson
February 21, 2022
Editorials
‘Dead & Beautiful’s Genre Bait-and-Switch Is Right On Trend
Leah Carlson-Downie
February 14, 2022
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