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Editorials
Sympathy for the Devil: ‘Let Us Prey’ and the Unholy Anti-Hero
Jenn Adams
May 20, 2022
Editorials
A Man Out of Time: The Enduring Legacy of Charles Band’s ‘Trancers’
Harper Smith
May 13, 2022
Editorials
Why ‘Sorority House Massacre II’ Is Not the Sequel You Think
Allan Mott
April 29, 2022
Uterus Horror
‘Turning Red’ Has Its Roots In Adolescent Body Horror
Molly Henery
April 26, 2022
Editorials
Finding Redemption for ‘Gigantis: The Fire Monster’
Alex Adams
April 21, 2022
Editorials
‘Death of a Vlogger’ Finds Horror In a Post-Truth World
Hugh McStay
April 20, 2022
Editorials
The Screenlife Futurism of ‘Unfriended: Dark Web’
Hamish Calvert
April 18, 2022
Editorials
Big Problems, Small Joys: The Music of ‘Jaws: The Revenge’
Charlie Brigden
April 11, 2022
Editorials
‘Exhibit A’: Found Footage’s Opening Statement on Male Fragility
David Churack
April 5, 2022
Editorials
‘American Psycho,’ ‘Man Bites Dog,’ and Masculine Overconfidence
Veronica Phillips
March 30, 2022
Editorials
‘Love Bites’ and the 90s’ Attempts at Reimagining the Vampire Mythos
Maggie Boccella
March 29, 2022
Editorials
Pick Up the Phone, ‘Cell’ Is Calling
Christine Makepeace
March 25, 2022
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